No photo available for this lens
Production
-
Country
-
Optical
7 elements in 7 groups
Updated
Jul 16, 2026
CPC CPC 28mm f2.8
Canon FD (also sold in Nikon F, Olympus OM, Pentax K, Minolta SR, Konica AR, Contax/Yashica) · 28mm · f/2.8
AI-assisted · from real reviewsUpdated 16 Jul 2026
Overview
The CPC 28mm f/2.8 is a budget third-party wide-angle from the 1970s–80s, an era when independent 'house brands' produced inexpensive fast primes in every popular SLR mount. CPC was one of these rebadge brands, and the lens was sold across a wide range of mounts (Canon FD, Nikon F, Olympus OM, Pentax K, Minolta SR, Konica AR, Contax/Yashica). It is frequently marked 'CPC macro MC AUTO CCT' — the 'MC' denoting multi-coating and the lens carrying a close-focus 'macro' scale to 1:4 magnification. There are no established nicknames or cult jargon attached to this lens; it has no fabled reputation for swirl or glow. What draws people to it is not optical prestige but price and utility: reviewers describe it as 'cheap and easy to use,' solidly built, and genuinely fun for close-up work, while being candid that the optics are 'mediocre across the board.' Its following, such as it is, comes from being an affordable, competent walk-around/macro-scale wide rather than from any legendary rendering. Note that this rebadged CPC is a distinct product from Canon's own FD/nFD 28mm f/2.8 and should not be confused with it.
Verdict: A cheap, cheerful, solidly built budget wide-angle for photographers who value close-focus versatility and low cost over optical prestige. Its color and contrast are its weak points and its rendering is plain rather than characterful, so it won't satisfy anyone chasing vintage 'magic' or edge-to-edge sharpness. But as an inexpensive, tactile macro-scale 28mm for casual shooting and near-subject work — with contrast and color easily lifted in post — it delivers exactly what its price promises.
Optical Character
Bokeh
Rated only average with no distinctive out-of-focus character documented.
Color
A weak point; color rendering reported as poor and a bit flat due to unimpressive multi-coating.
Sharpness wide open
Middling; center acceptable but overall optics called mediocre, sharpening a stop or two down.
Contrast
Low-to-moderate; softer, less punchy tonality cited as a main shortcoming.
Community Insights
What people love
- Very cheap and excellent value — commonly changing hands for around $10–$20, with reviewers scoring 'value' near the top.
- Solid, confidence-inspiring build with good mechanics — described as solidly built and user-friendly.
- Genuinely fun and practical for close-up work thanks to its ~20 cm minimum focus and 1:4 macro scale.
- Snappy aperture ring with a good number of intermediate stops.
- High handling scores — easy to use and enjoyable as an inexpensive walk-around wide.
What people dislike
- Weak color and contrast — cited as the lens's single biggest flaw, blamed on unimpressive multi-coating.
- Mediocre optics overall — no standout sharpness or rendering.
- Loud, metallic-sounding aperture and focus operation.
- Fiddly focusing in the 2-feet-to-infinity range, since most of the focus throw is consumed by the close-focus/macro range.
- Distant focusing feels compressed and imprecise because so much throw is devoted to macro distances.
Pro Tips
- Expect to add contrast and saturation in post — shoot with that in mind, as the lens's native color and contrast are its weakest traits.
- Stop down for general shooting; like most vintage wides it will render more crisply and cleanly a stop or two down from f/2.8.
- Take your time at infinity — most of the focus throw is devoted to close/macro distances, so distant focusing is compressed and needs a careful, deliberate hand.
- Lean into its strength: use the ~20 cm close focus and 1:4 macro scale for near-subject and detail shots where the lens is genuinely fun to use.
- Guard contrast at capture — shade the front element in bright/backlit conditions, since the modest multi-coating gives limited margin against veiling glare.
Compatible Adapters
Real adapters from our shop that fit this lens mount.
Standard · ฿540 · In stock
Standard · ฿540 · In stock
Standard · ฿540 · In stock
Standard · ฿1,250 · In stock
Premium · ฿1,200 · Out of stock
Standard · ฿890 · Out of stock
Standard · ฿890 · Out of stock
Canon FD Lenses to Canon EOS R Mount Camera Adapter
Standard · Out of stock
Canon FD Lenses to Nikon Z Mount Camera Adapter
Standard · Out of stock
Canon FD Lenses to Canon EOS Mount Camera Adapter with Optic Glass
Standard · Out of stock
Sources (1)
Web-grounded synthesissecondary
The CPC 28mm f/2.8 is a budget third-party wide-angle from the 1970s–80s, an era when independent 'house brands' produced inexpensive fast primes in every popular SLR mount. CPC was one of these rebadge brands, and the lens was sold across a wide range of mounts (Canon FD, Nikon F, Olympus OM, Pentax K, Minolta SR, Konica AR, Contax/Yashica). It is frequently marked 'CPC macro MC AUTO CCT' — the 'MC' denoting multi-coating and the lens carrying a close-focus 'macro' scale to 1:4 magnification. There are no established nicknames or cult jargon attached to this lens; it has no fabled reputation for swirl or glow. What draws people to it is not optical prestige but price and utility: reviewers describe it as 'cheap and easy to use,' solidly built, and genuinely fun for close-up work, while being candid that the optics are 'mediocre across the board.' Its following, such as it is, comes from being an affordable, competent walk-around/macro-scale wide rather than from any legendary rendering. Note that this rebadged CPC is a distinct product from Canon's own FD/nFD 28mm f/2.8 and should not be confused with it.
https://www.pentaxforums.com/userreviews/cpc-28mm-f-2-8-macro-mc-auto-cct.htmlhttps://allphotolenses.com/lenses/item/c_1029.html