Lens Heritage/Five Star

Five Star Five Star 35-70mm f3.5

M42 · 35mm · f/3.5

AI-assisted · from real reviewsUpdated 8 Jul 2026
No photo available for this lens

Production

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Country

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Optical

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Updated

Jul 8, 2026

Overview

The 'Five Star' 35-70mm f/3.5 belongs to a family of inexpensive third-party standard zooms sold in the 1980s under a rotating carousel of off-beat nameplates. The most closely documented sibling reviewed by the Pentax community is the 'Ozunon / Five Star MC Auto Zoom 35-75mm F3.5-4.8,' which was also marketed as 'Katana' and 'Super Foto' — a common practice for budget OEM optics rebadged for various markets. These lenses were built to a price point and typically bundled with camera kits rather than sold as premium glass. The specific 35-70mm f/3.5 M42 variant is poorly documented; most surviving reviews concern the 35-75mm f/3.5-4.8 push/pull KA-mount version. No genuine community nickname exists for this lens beyond the generic multi-nameplate identity. Its modest cult following, such as it is, comes from its rock-bottom price (the 35-75mm sibling averaged around $24 used) and a reputation among budget shooters for being surprisingly sharp for the money once stopped down.

Verdict: The Five Star 35-70mm f/3.5 is a bargain-bin budget zoom whose appeal is almost entirely about value. Based on its closely documented sibling, it rewards patient shooters who stop down to f/5.6, favor close-up and landscape work, and don't mind manual focus. It is not a character lens or a low-light performer — it's a cheap, sharp-when-stopped-down utility optic for those learning the craft or wanting inexpensive vintage glass. Buyers seeking distinctive rendering should look elsewhere.

Optical Character

Bokeh

Pleasing for its price class (rated around 7/10 on the sibling), with no swirl or bubble character.

Color

Very good color rendition for a budget zoom, neutral-to-pleasing.

Sharpness wide open

Soft wide open but notably sharp up close and once stopped down to around f/5.6, sometimes beating a kit lens.

Contrast

Low wide open, improving as the lens is stopped down.

Community Insights

What people love
  • Genuinely sharp once stopped down to around f/5.6, sometimes beating the bundled kit lens (per sibling reviews)
  • Strong close-up/macro-oriented performance — described as 'sharp up close'
  • Very good color rendition for a lens of its cost
  • Small, lightweight, and extremely inexpensive to acquire
  • Good value as a budget landscape and close-up lens
What people dislike
  • Soft wide open, requiring stopping down to get usable sharpness
  • Manual focus only, which limits its use as a fast walkaround lens
  • The push/pull zoom sibling works counter-intuitively (fully extended is the shortest focal length)
  • Considered 'no good as a walk about lens' by at least one reviewer of the sibling
Pro Tips
  • Stop down to around f/5.6 for the sharpest results — wide open is soft and low in contrast
  • Lean into its close-up strength; it performs notably well at short focusing distances
  • Use it as a deliberate, tripod-friendly landscape and close-up lens rather than a fast candid walkaround
  • Since it is manual focus, take your time nailing focus — its wide-open softness makes focus confirmation harder, so shooting stopped down helps depth of field forgive small errors

Compatible Adapters

Real adapters from our shop that fit this lens mount.

Standard · ฿325 · In stock

Standard · ฿325 · In stock

Standard · ฿325 · In stock

Standard · ฿325 · In stock

Standard · ฿540 · In stock

Standard · ฿540 · In stock

Standard · ฿540 · In stock

Standard · ฿540 · In stock

Standard · ฿1,250 · In stock

Standard · ฿890 · Out of stock

Standard · ฿890 · Out of stock

Sources (1)

Web-grounded synthesissecondary

The 'Five Star' 35-70mm f/3.5 belongs to a family of inexpensive third-party standard zooms sold in the 1980s under a rotating carousel of off-beat nameplates. The most closely documented sibling reviewed by the Pentax community is the 'Ozunon / Five Star MC Auto Zoom 35-75mm F3.5-4.8,' which was also marketed as 'Katana' and 'Super Foto' — a common practice for budget OEM optics rebadged for various markets. These lenses were built to a price point and typically bundled with camera kits rather than sold as premium glass. The specific 35-70mm f/3.5 M42 variant is poorly documented; most surviving reviews concern the 35-75mm f/3.5-4.8 push/pull KA-mount version. No genuine community nickname exists for this lens beyond the generic multi-nameplate identity. Its modest cult following, such as it is, comes from its rock-bottom price (the 35-75mm sibling averaged around $24 used) and a reputation among budget shooters for being surprisingly sharp for the money once stopped down.

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