Lens Heritage/Contax / Yashica

Contax / Yashica Yashica Yashinon-Dx 50mm f2

M42 · 50mm · f/2

No photo available for this lens

Production

-

Country

Japan

Optical

-

Updated

Jul 4, 2026

Overview

The Yashica Auto Yashinon-DX 50mm was Yashica's standard normal lens for its original M42 screwmount cameras, made in Japan. It existed in closely related variants including an f/1.7 and an f/2 version; reviewers note the f/1.7 delivers performance essentially identical to the cheaper Yashinon/Yashica DS-M M42 lens, differing mainly by the addition of an Auto/Manual aperture switch. One reviewer observed that this lens carries 'mild yellow glass which often signifies radioactive glass,' a common trait of the thoriated optics used in some lenses of the era, though this is anecdotal from a single reviewer rather than a formal designation. No established nicknames beyond the generic 'nifty fifty' framing appear in the reviews. Its cult following stems from being an extremely affordable vintage fifty (often under $50-60) that punches well above its price, praised for pleasing wide-open bokeh and impressive stopped-down sharpness.

Verdict: A superb budget vintage normal lens for M42 shooters and adapters who want pleasing wide-open bokeh and genuinely amazing stopped-down sharpness for very little money. It's ideal for those experimenting with vintage character on mirrorless or film who don't need Leica-tier optics, though buyers should confirm body compatibility (notably the KP mirror-fouling report) and be aware of the possible yellow/radioactive glass.

Optical Character

Bokeh

Wonderful, pleasing background rendering wide open at f/2 and f/2.8 with no swirl or bubble artifacts.

Color

Possibly a slight warm/yellow cast from mild yellow, possibly thoriated glass per one reviewer.

Sharpness wide open

Slightly soft wide open at infinity, becoming lovely from f/4 to f/11 and amazingly sharp at f/5.6.

Community Insights

What people love
  • Excellent value - often found for under $50-60 used, delivering performance far beyond its price
  • Beautiful bokeh and background rendering when shooting wide open at f/2 or f/2.8
  • Impressive stopped-down sharpness, with f/5.6 giving amazingly sharp results across the frame
  • Excellent handling (rated 9.8 on Pentax Forums) and good coatings typical of Yashica M42 glass
  • The Auto/Manual aperture switch on the DX version adds versatility over simpler siblings
What people dislike
  • Slightly soft wide open, particularly at infinity
  • Possible mild yellow/radioactive glass, prompting caution about long close proximity to digital sensors per one reviewer
  • Reported to potentially foul the mirror on the Pentax KP and possibly other camera models
  • On non-coupled adapters (e.g. Leica M), focusing wide open can be a guessing game without a good EVF or rangefinder coupling
Pro Tips
  • Shoot wide open at f/2 or f/2.8 to exploit the pleasing background bokeh for subject isolation
  • Stop down to f/4-f/11 (f/5.6 is a sweet spot) for maximum, amazing sharpness across the frame
  • Test the lens at infinity to reveal its true optical strengths and weaknesses
  • When adapting to a Leica M or similar without rangefinder coupling, use an electronic viewfinder or live view for accurate focus wide open
  • If concerned about the mild yellow/possibly radioactive glass, avoid leaving the lens in prolonged close proximity to a digital sensor

Sources (1)

Web-grounded synthesissecondary

The Yashica Auto Yashinon-DX 50mm was Yashica's standard normal lens for its original M42 screwmount cameras, made in Japan. It existed in closely related variants including an f/1.7 and an f/2 version; reviewers note the f/1.7 delivers performance essentially identical to the cheaper Yashinon/Yashica DS-M M42 lens, differing mainly by the addition of an Auto/Manual aperture switch. One reviewer observed that this lens carries 'mild yellow glass which often signifies radioactive glass,' a common trait of the thoriated optics used in some lenses of the era, though this is anecdotal from a single reviewer rather than a formal designation. No established nicknames beyond the generic 'nifty fifty' framing appear in the reviews. Its cult following stems from being an extremely affordable vintage fifty (often under $50-60) that punches well above its price, praised for pleasing wide-open bokeh and impressive stopped-down sharpness.

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