Production
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Country
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Optical
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Updated
Jul 4, 2026
Konica AR · 135mm · f/3.2
Production
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Country
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Optical
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Updated
Jul 4, 2026
The Konica Hexanon AR 135mm f/3.2 is one of three 135mm telephotos Konica produced in its AR mount, sitting alongside an f/3.5 and a heavier, brighter f/2.5. According to owners, the f/3.2 occupies a sweet spot in the lineup: it delivers 1/3 stop more brightness at full aperture and a half-meter shorter close-focus distance than the f/3.5, while being sharper and roughly half the weight of the f/2.5. Konica Hexanon lenses in general carry a longstanding reputation for high build quality and fine image quality, and this particular lens has earned an enthusiastic following among adapted-lens shooters on Sony and Pentax mirrorless bodies. Reviewers note it holds its own against—and one community thread argues it bests—the Carl Zeiss Jena Sonnar 3.5/135mm and the Super-Takumar 135mm f/3.5, particularly in bokeh and microcontrast, with the Takumar reportedly flaring and veiling more. No established nickname or jargon term is evidenced in the reviews for this lens.
Verdict: The Konica Hexanon AR 135mm f/3.2 is a superb-value vintage telephoto for adapted-lens shooters who want sharpness, high contrast, and creamy bokeh in one inexpensive package. It reportedly outperforms better-known peers like the Zeiss Jena Sonnar and Super-Takumar 135mm f/3.5 in microcontrast, bokeh, and flare control. Handling is its only minor weak point. For portrait and detail work on mirrorless bodies, it's an easy recommendation.
Buttery smooth and creamy, repeatedly praised as a standout with no swirl or bubble effects.
Pleasing color rendering, good enough for out-of-camera JPEGs; specific warm/cool bias unknown.
Highly regarded, rated 10/10 by multiple reviewers and sharp even wide open.
Well controlled with only light veiling against the sun, aided by a built-in hood.
High contrast, described as sharp and contrasty with strong microcontrast.
The Konica Hexanon AR 135mm f/3.2 is one of three 135mm telephotos Konica produced in its AR mount, sitting alongside an f/3.5 and a heavier, brighter f/2.5. According to owners, the f/3.2 occupies a sweet spot in the lineup: it delivers 1/3 stop more brightness at full aperture and a half-meter shorter close-focus distance than the f/3.5, while being sharper and roughly half the weight of the f/2.5. Konica Hexanon lenses in general carry a longstanding reputation for high build quality and fine image quality, and this particular lens has earned an enthusiastic following among adapted-lens shooters on Sony and Pentax mirrorless bodies. Reviewers note it holds its own against—and one community thread argues it bests—the Carl Zeiss Jena Sonnar 3.5/135mm and the Super-Takumar 135mm f/3.5, particularly in bokeh and microcontrast, with the Takumar reportedly flaring and veiling more. No established nickname or jargon term is evidenced in the reviews for this lens.