Lens Heritage/Pentax (Takumar)

Pentax (Takumar) Pentax Takumar 35mm f3.5

Pentax K (M42 screwmount for earlier versions) · 35mm · f/3.5

No photo available for this lens

Production

1959

Country

Japan

Optical

5 elements in 4 groups

Updated

Jul 4, 2026

Overview

The Takumar 35mm f/3.5 is a wide-angle M42 screwmount prime with a remarkable production history: introduced in 1959 as the Auto-Takumar, its optical design remained fundamentally unchanged across five distinct M42 versions (Auto-Takumar, three Super-Takumar variants, and a Super-Multi-Coated version) and even carried through to a later K-mount version. The Super-Takumar variants can be distinguished by their minimum aperture and distance scale details: the first version stops down to f/22, the second to f/16 with no distance-scale 'window,' and the third adds a 'window' to the distance scale. The Super-Multi-Coated (SMC) version arrived around 1971. No established nicknames or community jargon are evidenced in the reviews for this lens. It has a devoted following thanks to its classic Takumar build quality, compact and light form factor, buttery-smooth focus and aperture rings, and its reputation as a versatile all-rounder that renders beautifully on film with that 'yesteryear quality.'

Verdict: The Takumar 35mm f/3.5 is a compact, beautifully built, and affordable vintage wide-angle that rewards film shooters with characterful, sharp-centered images and classic Takumar color. It's ideal for those who want a durable, pocketable all-rounder with vintage soul — best enjoyed on film, where its character and corner vignetting shine, though it remains a clean and capable performer on digital.

Optical Character

Bokeh

Out-of-focus rendering not detailed in reviews; community bokeh score around 7.5.

Color

Classic vintage Takumar color with a warm 'yesteryear quality' on film, varying by film stock.

Sharpness wide open

Sharp in the center; corners are sharp on digital but can show vignetting on film.

Vignetting

Pronounced corner vignetting on film; minimal on digital.

Community Insights

What people love
  • Excellent, amazing build quality typical of Takumar lenses, with a smooth, buttery focus and aperture ring
  • Compact, small and lightweight body that is very comfortable to hold and carry
  • Beautiful vintage rendering with 'yesteryear quality' on film, which reviewers feel the lens was truly made for
  • Impressive durability — one reviewer dropped it a meter onto asphalt, denting the front area, yet it still operated normally
  • Versatile all-rounder focal length that lets you keep the subject centered while including more background
What people dislike
  • Pronounced corner vignetting on film that can be very apparent at times
  • Digital shooting tends to strip away some of the lens's built-in vintage character
  • The manual/auto aperture switch is a potential weak point — a problem there could render the aperture ring unusable
  • 35mm is not everyone's preferred focal length, and one reviewer noted it isn't the length they reach for most
Pro Tips
  • Shoot it on film to get the fullest vintage 'character' and yesteryear color the lens was designed for
  • Embrace corner vignetting on film as part of the aesthetic, or switch to digital for cleaner, sharper corners
  • Pair with the M42-to-Pentax-K adapter (or seek the native K-mount version) for use on modern Pentax bodies
  • Handle the manual/auto aperture switch gently to preserve aperture function

Sources (1)

Web-grounded synthesissecondary

The Takumar 35mm f/3.5 is a wide-angle M42 screwmount prime with a remarkable production history: introduced in 1959 as the Auto-Takumar, its optical design remained fundamentally unchanged across five distinct M42 versions (Auto-Takumar, three Super-Takumar variants, and a Super-Multi-Coated version) and even carried through to a later K-mount version. The Super-Takumar variants can be distinguished by their minimum aperture and distance scale details: the first version stops down to f/22, the second to f/16 with no distance-scale 'window,' and the third adds a 'window' to the distance scale. The Super-Multi-Coated (SMC) version arrived around 1971. No established nicknames or community jargon are evidenced in the reviews for this lens. It has a devoted following thanks to its classic Takumar build quality, compact and light form factor, buttery-smooth focus and aperture rings, and its reputation as a versatile all-rounder that renders beautifully on film with that 'yesteryear quality.'

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