
Production
1977 – 2007
Country
Japan
Optical
9 elements in 9 groups, with a floating element for close-range correction (CRC)
Updated
Feb 15, 2026
Nikon F (AI-S)

Production
1977 – 2007
Country
Japan
Optical
9 elements in 9 groups, with a floating element for close-range correction (CRC)
Updated
Feb 15, 2026
The Nikon 24mm f/2.8 AI-S is the wide-angle workhorse — wide enough for landscapes and architecture, fast enough for available light. It was the go-to for photojournalists who needed to fit more in the frame without the extreme distortion of ultra-wides. At 24mm, you get impact without absurdity.
Verdict: The practical wide-angle. The 24mm f/2.8 does its job without drama — sharp, well-corrected, and reliable. Not exciting, but excellent.
Minimal bokeh at f/2.8, but smooth when present.
Neutral Nikon rendering.
Sharp center wide open, corners improve by f/4 and excellent by f/5.6.
Good coating control, minimal flare issues.
Good contrast, clean images.
Mild vignetting wide open, well-controlled.
https://phillipreeve.net/blog/review-nikon-ai-nikkor-24mm-f-2/
https://www.meanbearmedia.com/nikkor-24mm-f2-8-ais-review/
http://www.alexluyckx.com/blog/2022/05/16/optical-review-blog-no-29-nikon-ai-nikkor-24mm-12-8/
https://joserochaphoto.wordpress.com/2012/08/20/nikkor-24mm-f2-8-ai-s-review/
The Nikon 24mm f/2.8 AI-S is the wide-angle workhorse — wide enough for landscapes and architecture, fast enough for available light. It was the go-to for photojournalists who needed to fit more in the frame without the extreme distortion of ultra-wides. At 24mm, you get impact without absurdity.