Rikenon Macro Bellows Richo Set

Ricoh P (Ricoh-pin) version, reportedly compatible with Pentax K mounts · 105mm · f/2.8

เรียบเรียงโดย AI จากรีวิวจริงอัปเดต 15 ก.ค. 2569
ยังไม่มีภาพสำหรับเลนส์นี้

ปีผลิต

-

ผลิตที่

Japan (Kiron / Kino Precision)

สูตรเลนส์

6 elements in 6 groups, multicoated

อัปเดต

15 ก.ค. 2569

เรื่องราวของเลนส์

The reviews here center on the Ricoh Rikenon P Macro 105mm f/2.8 — a manual-focus 1:1 macro whose lineage is openly documented in the Pentax Forums entry: it was 'made by Kiron and better known in its Vivitar and Kiron/Lester A Dine incarnations.' In other words, this is the Ricoh-badged version of the well-regarded Kiron (Kino Precision) 105mm f/2.8 macro that also circulated as the Vivitar Series 1 105mm and, in the medical/dental world, as the Lester A. Dine 105mm (frequently sold with a ring flash for clinical close-up work). The Ricoh copy carries the 'Ricoh pin' on its mount, and reviewers note the pin 'does not jam on Pentax mounts.' No established folk nickname is evidenced in the reviews — the closest is a reviewer simply calling it 'a monster' and its optics 'astral,' which is affectionate hyperbole rather than a recognized community term. The cult affection is real and grounded: every reviewer recommended it (100%), scoring it a clean 10 across sharpness, aberrations, bokeh, handling, and value. People love that a single lens works convincingly as a life-size macro, a short telephoto, and a portrait lens, wrapped in heavy all-metal build.

สรุป: Grounded in the reviews, this Kiron-built Ricoh Rikenon 105mm f/2.8 macro is a do-everything close-up and short-telephoto prime for the photographer who wants one heavy, all-metal lens to shoot life-size macro, tight portraits, and detail work with equal conviction. Reviewers uniformly rate it a 10 for sharpness, color, and bokeh and find no faults — making it a standout value for anyone who prizes precise manual-focus rendering over autofocus convenience. It rewards patience and technique; if you enjoy deliberate, tactile shooting, it delivers optics its owners call 'astral.'

คาแรกเตอร์ของภาพ

โบเก้

ได้รับคำชมอย่างต่อเนื่องและได้รับคะแนนสูงสุด; โบเก้แยกฉากหลังได้ดีมาก แม้รูปร่างการละลายเฉพาะ (เช่น โบเก้วน หรือรูปฟอง) จะไม่ได้ระบุไว้

โทนสี

การแสดงสีที่เด่น ชัด และสะอาด ถูกยกให้เป็นจุดแข็งหลัก แม้ว่าจะไม่ระบุความเบ้ไปทางอุ่น/เย็นหรือระดับความอิ่มตัวอย่างชัดเจน

ความคม (เปิดสุด)

เป็นจุดเด่น ได้รับการให้คะแนน 10/10 พร้อมคำอธิบายว่ากระจกเลนส์ 'astral'; ความสม่ำเสมอระหว่างกลางภาพกับมุมภาพ และระหว่างการเปิดกว้างสุดกับการหรี่รูรับแสง ไม่มีรายละเอียดเพิ่มเติม

รีวิวจากผู้ใช้

ข้อดี
  • Optical quality described as 'astral' and buyers 'blown away' — a clean sweep of 10/10 scores across sharpness, aberrations, bokeh, handling, and value, with 100% of reviewers recommending it.
  • True 1:1 (life-size) macro capability, making it a genuine close-up tool rather than a pseudo-macro zoom.
  • Remarkable versatility: reviewers use the same lens as a macro, a short telephoto, and a portrait lens.
  • Excellent, praised color rendering and pleasing bokeh working together with the sharpness.
  • Serious all-metal build — 'the build is really great,' with a built-in sliding metal hood and substantial 656g heft that inspires confidence.
  • On Ricoh-mount copies, the Ricoh pin reportedly does not jam on Pentax mounts, easing cross-use.
ข้อเสีย
  • Reviewers list no cons — one explicitly writes 'Cons: None.' No negative traits are evidenced in the reviews.
  • Implied only by the spec sheet rather than complaints: at 656g it is a heavy lens to carry, and being fully manual-focus it demands deliberate technique — but no reviewer voices this as a dislike.
เทคนิคการใช้
  • For 1:1 work, focus by moving the whole camera toward or away from the subject rather than only turning the ring — at life-size magnification the focus plane is razor-thin.
  • Depth of field collapses dramatically up close, so stop down for macro subjects to hold detail — but avoid the smallest apertures near f32 where diffraction softens the otherwise biting resolution.
  • For portraits and short-tele use, open up toward f/2.8 to exploit the praised bokeh and subject separation; the lens is reported to render beautifully in that role.
  • Steady the camera for close-ups — the 656g mass helps damp shake, but at high magnification even small movements shift the focus plane.
  • Lean on the built-in sliding metal hood in bright, contrasty light to protect contrast, since exposure and framing are fully manual on this lens.

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The reviews here center on the Ricoh Rikenon P Macro 105mm f/2.8 — a manual-focus 1:1 macro whose lineage is openly documented in the Pentax Forums entry: it was 'made by Kiron and better known in its Vivitar and Kiron/Lester A Dine incarnations.' In other words, this is the Ricoh-badged version of the well-regarded Kiron (Kino Precision) 105mm f/2.8 macro that also circulated as the Vivitar Series 1 105mm and, in the medical/dental world, as the Lester A. Dine 105mm (frequently sold with a ring flash for clinical close-up work). The Ricoh copy carries the 'Ricoh pin' on its mount, and reviewers note the pin 'does not jam on Pentax mounts.' No established folk nickname is evidenced in the reviews — the closest is a reviewer simply calling it 'a monster' and its optics 'astral,' which is affectionate hyperbole rather than a recognized community term. The cult affection is real and grounded: every reviewer recommended it (100%), scoring it a clean 10 across sharpness, aberrations, bokeh, handling, and value. People love that a single lens works convincingly as a life-size macro, a short telephoto, and a portrait lens, wrapped in heavy all-metal build.

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