Sigma Macro

Sony A-Mount · 105mm · f/2.8

เรียบเรียงโดย AI จากรีวิวจริงอัปเดต 14 ก.ค. 2569
ยังไม่มีภาพสำหรับเลนส์นี้

ปีผลิต

2011

ผลิตที่

Japan

สูตรเลนส์

16 elements in 11 groups with SLD glass.

อัปเดต

14 ก.ค. 2569

เรื่องราวของเลนส์

The Sigma 105mm 1:2.8 DG OS Macro HSM is the full-frame, image-stabilized macro that Sigma released in 2011, and the Sony/Minolta Alpha (A-mount) version is the one that concerns A-mount shooters. It arrived into a market where the closest rival — Nikon's AF-S Micro Nikkor 105/2.8G — was already five years older, so Sigma positioned this as a modern 1:1 macro that doubled as a short telephoto portrait lens and a tool for compressed landscapes and candid work. It sits in a small family: a predecessor, the Sigma 105mm F2.8 EX DG Macro from 2004 (no OS, no HSM), preceded it, and a mirrorless-only successor, the Sigma 105mm F2.8 DG DN Macro Art (2020, Sony E and L-mount), followed it. The A-mount and Sony SA versions were eventually discontinued, while Nikon F and Canon EF remained in production for years. No established nickname or community jargon (no 'Bokeh Monster', 'Radioactive' or similar) appears in the reviews for this lens — it is known simply by its designation. Its following is rooted in pragmatism rather than mystique: reviewers note it has 'a good reputation,' and because of its age it can be found relatively cheap used, making it strong value for money for a true 1:1 macro with stabilization.

สรุป: This is a practical, high-resolution 1:1 macro for the photographer who values clean sharpness and pleasing subject isolation over vintage character. Reviewers consistently praise it as very sharp with beautiful bokeh, and the A-mount DG OS version adds stabilization and a focus limiter that make handheld macro and portrait work genuinely usable. It is not a swirly, glowing 'character' lens — it renders detail faithfully — so it best suits macro shooters, nature and product photographers, and portraitists who want dependable, affordable precision rather than optical drama. Its main compromises are a plasticky feel and below-average autofocus speed.

คาแรกเตอร์ของภาพ

โบเก้

โบเก้สวย ให้การละลายฉากหลังน่าพอใจ พร้อมความชัดตื้นชัดลึกที่ตื้นตั้งแต่ f/2.8 และใบม่านรูรับแสงกลม 9 ใบ; ลักษณะย่อยเช่นโบเก้วนหรือการเกิดเป็นฟองยังไม่มีข้อมูลแน่ชัด

ความคม (เปิดสุด)

มักถูกกล่าวถึงว่าคมมากและคมเป็นพิเศษ โดยให้ผลลัพธ์ดีที่สุดในระยะมาโครใกล้

รีวิวจากผู้ใช้

ข้อดี
  • Exceptional sharpness — reviewers call it 'exceptionally sharp' and capable of 'super sharp' results, especially in close-up macro work
  • True 1:1 macro magnification that doubles effectively as a short-telephoto portrait lens
  • Beautiful, pleasing bokeh from the f/2.8 aperture with 9 rounded blades for subject isolation
  • Built-in optical stabilization (OS) with a dedicated switch offering full and vertical-only modes — useful for handheld close work
  • A three-position autofocus limiter that lets you restrict the focus range and speed up focus acquisition
  • Solid, reputable build and strong value for money, particularly cheap on the used market given its age
ข้อเสีย
  • Autofocus is slower than average despite the quiet, precise ring-type ultrasonic (HSM) motor
  • The barrel is mainly plastic and feels 'plasticky,' even if solid in hand
  • It is a large, fairly heavy lens (700 g) for its class
เทคนิคการใช้
  • Use the three-position focus limiter to restrict the focus range for your subject — it meaningfully speeds up the otherwise slow autofocus
  • Engage OS for handheld close-ups, and switch to the vertical-only mode when panning to keep intentional motion
  • Stop well down (toward f/8–f/11 or beyond) for macro subjects, since depth of field is razor-thin at 1:1 and f/2.8
  • For the sharpest macro frames, add controlled light — an off-camera flash steadies exposure and lets you use a smaller aperture
  • At f/2.8 lean on the lens as a portrait tool, using its shallow depth of field to isolate the subject
  • Override autofocus with the wide manual ring for precise focus placement in critical close-up work

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Sigma 105mm 1:2.8 DG OS Macro HSM is the full-frame, image-stabilized macro that Sigma released in 2011, and the Sony/Minolta Alpha (A-mount) version is the one that concerns A-mount shooters. It arrived into a market where the closest rival — Nikon's AF-S Micro Nikkor 105/2.8G — was already five years older, so Sigma positioned this as a modern 1:1 macro that doubled as a short telephoto portrait lens and a tool for compressed landscapes and candid work. It sits in a small family: a predecessor, the Sigma 105mm F2.8 EX DG Macro from 2004 (no OS, no HSM), preceded it, and a mirrorless-only successor, the Sigma 105mm F2.8 DG DN Macro Art (2020, Sony E and L-mount), followed it. The A-mount and Sony SA versions were eventually discontinued, while Nikon F and Canon EF remained in production for years. No established nickname or community jargon (no 'Bokeh Monster', 'Radioactive' or similar) appears in the reviews for this lens — it is known simply by its designation. Its following is rooted in pragmatism rather than mystique: reviewers note it has 'a good reputation,' and because of its age it can be found relatively cheap used, making it strong value for money for a true 1:1 macro with stabilization.

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