Makinon Makinon 28-80mm f3.5

Minolta MD (also offered in Pentax K, Konica AR, Canon FD/FDn, Fujica-X) · 28mm · f/3.5

ยังไม่มีภาพสำหรับเลนส์นี้

ปีผลิต

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ผลิตที่

Japan

สูตรเลนส์

-

อัปเดต

4 ก.ค. 2569

เรื่องราวของเลนส์

The Makinon 28-80mm f3.5 is a standard-zoom from the Japanese third-party maker Makinon, a brand that produced budget-oriented optics for SLR systems during the popular manual-focus zoom era of the 1970s-80s. It is important to distinguish between two closely related lenses: this fixed-aperture f3.5 version is, according to reviewers, a macro-specific variant (offering 1:4 macro at 28mm with a 23cm minimum focus), while a separate variable-aperture f3.5-4.5 version was designed for regular use. Reviewers explicitly warn that the f3.5-4.5 version had a poor reputation, and one buyer who acquired the f3.5 for a literal $1 bid expected the worst but was pleasantly surprised. The lens features an unusual layout for its era: focus in the rear and zoom ring in the front (a 'true dual touch' design). No established nicknames or community jargon are evidenced in the reviews. Its small cult following stems from surprise value: it is cheap, extremely well built, and delivers rendering that reviewers rate as comparable to Tokina and better than contemporary Sigma zooms at wide apertures.

สรุป: The Makinon 28-80mm f3.5 is a heavy, all-metal bargain zoom that punches above its rock-bottom price. It rewards those who seek the constant-aperture, macro-capable f3.5 version rather than the disparaged f3.5-4.5 variant. With its organic glow wide open, flare-friendly front element, and strong stopped-down performance, it appeals to budget-minded shooters and videographers (especially those working with anamorphics) who can accept its weight and varifocal nature. It is not a lens for zoom-while-recording work, but as a well-built variable prime it delivers character and value that reviewers compare favorably to Tokina.

คาแรกเตอร์ของภาพ

โบเก้

ได้รับการให้คะแนนค่อนข้างปานกลาง (6/10 บน Pentax Forums; 3.29/5 บน allphotolenses) โดยไม่มีคำอธิบายเฉพาะเกี่ยวกับโบเก้แบบฟอง (bubble), โบเก้แบบหมุน (swirl) หรือความครีมมี่ (creaminess)

ความคม (เปิดสุด)

ให้คะแนน 7/10 — ให้ภาพ "ดี" ที่ f/3.5 แต่มีความนุ่มฟุ้งจากโกลว์แบบออร์แกนิก; ทำผลงานได้ "ยอดเยี่ยม" ตลอดช่วงซูมเมื่อปิดรูรับแสงเป็น f/5.6 ขึ้นไป.

แฟลร์

มีแนวโน้มเกิดแฟลร์ได้ง่ายเนื่องจากชิ้นเลนส์ด้านหน้าขนาดใหญ่ที่เคลือบเพียงบางๆ แต่สามารถใช้เชิงศิลป์ร่วมกับอะแดปเตอร์แอนาโมร์ฟิกเพื่อให้ภาพมีคอนทราสต์ลดลง

คอนทราสต์

ชิ้นเลนส์ด้านหน้ามีการเคลือบผิวน้อย จึงเกิดแฟลร์ทำให้ความเปรียบต่างต่ำลง แต่เมื่อปิดรูรับแสงลง ความเปรียบต่างจะดีขึ้น

รีวิวจากผู้ใช้

ข้อดี
  • Exceptional build quality: heavy, all-metal, made in Japan, with well-dampened focus and zoom rings
  • Extremely low cost, with one reviewer winning it for a $1 bid and being consistently impressed
  • Very close focusing / macro capability (23cm, 1:4 macro at 28mm on the f3.5 version)
  • The constant f3.5 aperture that does not vary across the 28-80mm zoom range
  • Non-rotating front element and internal zoom (constant lens size), making it convenient for filters and video use
  • Good performance stopped down past f5.6, described as fantastic across the zoom range and comparable to Tokina
ข้อเสีย
  • Heavy weight (600g listed on Pentax Forums), noted as a con
  • Tight mount fit reported on a Pentax K-S2, with a scraping feel on mounting
  • Completely varifocal design, meaning focus shifts when zooming so you cannot zoom while recording
  • Organic glow and limited resolution wide open at f3.5
  • Flare susceptibility from the large, lightly-coated front element
  • Confusion with the poorly-regarded f3.5-4.5 variant
เทคนิคการใช้
  • Stop down past f5.6 for the best across-frame performance
  • Embrace the organic glow and flare wide open at f3.5 for a soft, lower-contrast look
  • Pair it with anamorphic adapters to exploit the flared, reduced-contrast character for cinema use
  • Use the close-focus / macro capability at 28mm (23cm) for tight detail shots
  • Because it is varifocal, set focus after zooming, and do not attempt to zoom while recording video
  • Take advantage of the non-rotating front element for polarizers and grad filters

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Makinon 28-80mm f3.5 is a standard-zoom from the Japanese third-party maker Makinon, a brand that produced budget-oriented optics for SLR systems during the popular manual-focus zoom era of the 1970s-80s. It is important to distinguish between two closely related lenses: this fixed-aperture f3.5 version is, according to reviewers, a macro-specific variant (offering 1:4 macro at 28mm with a 23cm minimum focus), while a separate variable-aperture f3.5-4.5 version was designed for regular use. Reviewers explicitly warn that the f3.5-4.5 version had a poor reputation, and one buyer who acquired the f3.5 for a literal $1 bid expected the worst but was pleasantly surprised. The lens features an unusual layout for its era: focus in the rear and zoom ring in the front (a 'true dual touch' design). No established nicknames or community jargon are evidenced in the reviews. Its small cult following stems from surprise value: it is cheap, extremely well built, and delivers rendering that reviewers rate as comparable to Tokina and better than contemporary Sigma zooms at wide apertures.

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