Rikenon Rikenon 50mm f2 Heritage

เรื่องราวของเลนส์

The Rikenon 50mm f/2 was produced by Ricoh for the Pentax K-mount, with the family's roots reaching back to 1977. According to the reviews, there are four principal versions produced across the years: the original 'XR Rikenon', the 'XR Rikenon L', the 'XR Rikenon S', and finally the 'Rikenon P'. The first two of these (the early XR Rikenon and the XR Rikenon L) are said to have been made by the famed Tomioka Optical, a Japanese optical maker with a strong reputation for lens quality. One notable mechanical distinction: only the early XR Rikenon focuses down to 45cm, while the other three types focus to 60cm. The 'P' designation (produced early-to-mid 1980s) indicates full Program mode compatibility with Pentax-A bodies thanks to electronic contacts and an 'A' setting on the aperture ring; it uses a 6-element/5-group design and is shorter and lighter than the XR version. The lens has a genuine cult following: it is famously nicknamed the 'poor man's Summicron' for delivering image quality reminiscent of Leica's revered Summicron at a fraction of the price (reviewers repeatedly cite buying prices around US$20). People love it for its sharpness, character, and its ridiculous value-to-performance ratio.

สรุป: The Rikenon 50mm f/2 is a budget-legend standard prime that punches far above its price — deservedly nicknamed the 'poor man's Summicron.' It's ideal for the curious vintage shooter or first-time adapter who wants genuine sharpness, pleasant character, and a fun dual bokeh personality for very little money. Bargain hunters and walk-around shooters will love it; those wanting a premium build or clinical wide-open performance should look elsewhere.

คาแรกเตอร์ของภาพ

โบเก้

โบเก้สองบุคลิก: นุ่มนวลกับพื้นหลังเรียบ แต่จะปรากฏเป็นบับเบิลโบเก้เมื่ออยู่กับพื้นหลังที่มีรายละเอียดมากหรือซับซ้อน

โทนสี

ไม่ทราบแน่ชัด แต่สำเนาที่เก่าอาจมีการเหลือง (ไม่ใช่จากกัมมันตภาพรังสี) ซึ่งทำให้โทนภาพดูอบอุ่นขึ้น

ความคม (เปิดสุด)

คมมาก ให้รายละเอียดชัดเจน คมตั้งแต่ f/2.8 เป็นต้นไป แต่เมื่อเปิดรูรับแสงกว้างสุดที่ f/2 จะมีความนุ่มเล็กน้อยและเกิดแสงฟุ้ง (glow)

คอนทราสต์

คอนทราสต์ค่อนข้างดีถึงดี แต่เมื่อใช้ที่รูรับแสงกว้างสุด แสงฟุ้งจะทำให้คอนทราสต์ลดลงเล็กน้อย

รีวิวจากผู้ใช้

ข้อดี

Exceptional value — routinely bought for around US$20, earning the 'poor man's Summicron' nickname for Leica-like results on a budget
Surprising sharpness and good contrast that impressed both film and digital (mirrorless and DSLR) shooters
Interesting dual bokeh character — smooth against simple backgrounds, bubbly against busy ones
Lightweight and compact (around 135–150g), making it an excellent walk-around lens
Wide, comfortable focus ring; smooth focus on good copies
Easy adaptability to modern digital bodies, and native use on Pentax K-mount DSLRs without an adapter
Charming wide-open glow and softness that some enjoy for dreamy, vintage-style images

ข้อเสีย

Softness, glow, and chromatic aberration wide open at f/2
Aperture ring can feel stiff, making it difficult to change while handholding
Plastic-feeling body and utilitarian build rather than a luxurious feel
Coatings can yellow with age
Pentax K-mount lenses can get stuck when adapted to other bodies (e.g. Canon)

เทคนิคการใช้

Stop down to f/2.8 or beyond for maximum sharpness and cleaner contrast; use f/2 deliberately when you want the dreamy glow
Seek out the early XR Rikenon or XR Rikenon L if you specifically want the Tomioka-made versions
Choose an uncluttered background for smooth bokeh, or introduce busy/complex background elements to trigger the bubble bokeh look
The early XR Rikenon's 45cm minimum focus gives a slight edge for closer shots versus the 60cm of the other versions
On a Pentax K-mount DSLR you can mount it natively with no adapter; use appropriate adapters (e.g. PK-NEX) for other mirrorless systems

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Rikenon 50mm f/2 was produced by Ricoh for the Pentax K-mount, with the family's roots reaching back to 1977. According to the reviews, there are four principal versions produced across the years: the original 'XR Rikenon', the 'XR Rikenon L', the 'XR Rikenon S', and finally the 'Rikenon P'. The first two of these (the early XR Rikenon and the XR Rikenon L) are said to have been made by the famed Tomioka Optical, a Japanese optical maker with a strong reputation for lens quality. One notable mechanical distinction: only the early XR Rikenon focuses down to 45cm, while the other three types focus to 60cm. The 'P' designation (produced early-to-mid 1980s) indicates full Program mode compatibility with Pentax-A bodies thanks to electronic contacts and an 'A' setting on the aperture ring; it uses a 6-element/5-group design and is shorter and lighter than the XR version. The lens has a genuine cult following: it is famously nicknamed the 'poor man's Summicron' for delivering image quality reminiscent of Leica's revered Summicron at a fraction of the price (reviewers repeatedly cite buying prices around US$20). People love it for its sharpness, character, and its ridiculous value-to-performance ratio.

https://www.pentaxforums.com/userreviews/rikoh-rikenon-p-50mm-f2.htmlhttps://overland25.com/en/en_vintagelens/xr-rikenon-50mm-f2-firstlenshttps://www.bruphoto.co.za/the-ricoh-rikenon-50mm-f2-a-bubble-bokeh-surprise/