Vivitar Vivitar 135mm f3.5

Minolta MD (also available in M42 screwmount and T-4 variants) · 135mm · f/3.5

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ปีผลิต

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ผลิตที่

Japan (Tokina-made versions)

สูตรเลนส์

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อัปเดต

4 ก.ค. 2569

เรื่องราวของเลนส์

The Vivitar 135mm f/3.5 belongs to the vast family of Vivitar-branded telephoto primes that flooded the market in the 1960s through 1980s. Vivitar was a rebrander rather than a manufacturer, contracting production out to various Japanese optical houses. According to the reviews here, at least one version of this lens was made in Japan by Tokina and shared its optical formula with lenses sold under other labels: one source notes it is 'identical to the Dollonds-S 135mm' and 'was also sold under the Sears label.' A separate T-4 mount variant is documented as a 'Vivitar 135mm f/3.5 Auto Telephoto (T-4 Tokina)' built for the T4 interchangeable-lens system popular in the 1970-80's. Because Vivitar sold many differently-built 135mm f/3.5 lenses over the years, exact provenance depends on the specific sample. No established nickname or community jargon (such as 'Bokeh King') is evidenced in the reviews for this particular lens. Its modest cult following stems from being an inexpensive, sharp, well-built classic telephoto that punches above its price point — one reviewer paid around $69 and rated it 8/10, calling it 'a fantastic lens.'

สรุป: A sharp, affordable, and well-regarded classic 135mm telephoto that delivers corner-to-corner sharpness and smooth bokeh far exceeding its bargain price. Best for budget-minded vintage shooters who want a versatile short telephoto for both portraits and landscapes, and who don't mind fully manual operation. Just verify the specific variant and mount, as the plastic mount on some samples is the main compromise.

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โบเก้

ให้ภาพเรียบและนุ่มนวล โดยจะดูแข็งน้อยลงเมื่อปิดรูรับแสง มีรุ่นหนึ่งที่ใช้ม่านรูรับแสง 15 ใบซึ่งขึ้นชื่อว่าให้โบเก้ที่นุ่มเป็นพิเศษ

ความคม (เปิดสุด)

ให้ความคมชัดสูง แม้บริเวณมุมภาพ และแทบจะแยกไม่ออกจาก Takumar เมื่อเปิดรูรับแสงกว้างสุด

รีวิวจากผู้ใช้

ข้อดี
  • Sharpness across the frame, including into the corners, making it capable for both portraits and landscapes
  • Pleasant, smooth bokeh — especially the reduced harshness when stopping down versus a comparable Takumar
  • Excellent value; one reviewer bought it for around $69 and rated it 8/10, calling it 'a fantastic lens'
  • Solid, well-built feel and, on some versions, a built-in (retractable) lens hood
  • Fully manual operation that works fine on modern bodies (e.g. via the Green Button metering method)
ข้อเสีย
  • Some versions have a plastic mount rather than metal, which cost one reviewer a point in their rating
  • Fully manual — no A/auto aperture on the M42 sample reviewed (though the reviewer did not consider this a real drawback)
เทคนิคการใช้
  • Use stop-down (e.g. the Green Button on Pentax bodies) since this is a fully manual lens with no auto aperture on some versions
  • Stop down slightly for the smoothest, least harsh bokeh — reviewers note it improves over wide open in the background rendering
  • Leverage its corner sharpness for landscapes, not just portraits
  • Identify your exact variant (Tokina-made, T-4, Sears-branded, blade count) before comparing rendering, as they differ

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Vivitar 135mm f/3.5 belongs to the vast family of Vivitar-branded telephoto primes that flooded the market in the 1960s through 1980s. Vivitar was a rebrander rather than a manufacturer, contracting production out to various Japanese optical houses. According to the reviews here, at least one version of this lens was made in Japan by Tokina and shared its optical formula with lenses sold under other labels: one source notes it is 'identical to the Dollonds-S 135mm' and 'was also sold under the Sears label.' A separate T-4 mount variant is documented as a 'Vivitar 135mm f/3.5 Auto Telephoto (T-4 Tokina)' built for the T4 interchangeable-lens system popular in the 1970-80's. Because Vivitar sold many differently-built 135mm f/3.5 lenses over the years, exact provenance depends on the specific sample. No established nickname or community jargon (such as 'Bokeh King') is evidenced in the reviews for this particular lens. Its modest cult following stems from being an inexpensive, sharp, well-built classic telephoto that punches above its price point — one reviewer paid around $69 and rated it 8/10, calling it 'a fantastic lens.'

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