Rikenon Rikenon 135mm f2.8

M42 screw mount (Auto version) and Pentax K mount (XR version) · 135mm · f/2.8

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ปีผลิต

-

ผลิตที่

Japan

สูตรเลนส์

4 elements in 4 groups (XR K-mount version; M42 Auto version unknown)

อัปเดต

4 ก.ค. 2569

เรื่องราวของเลนส์

The Rikenon 135mm f/2.8 was produced by Ricoh, a Japanese manufacturer known for its XR Rikenon line of lenses. The reviews cover two closely related variants: the M42 screw-mount 'Auto Rikenon 135mm f/2.8' (featuring a ring-type A/M aperture switch and a 14mm retractable hood, with 6 aperture blades) and the later Pentax K-mount 'XR Rikenon 135mm f/2.8' (with 8 straight-edged blades, a built-in slide-out metal hood, and no Ricoh pin or A setting). A 1980 Ricoh brochure described the 135mm f/2.8 as 'quite possibly the most popular choice after the standard lens,' positioning it as an ideal, compact, and bright option for portraits, indoor and outdoor sports, landscapes, and other long-distance subjects. The lens is characterized by all-metal construction with a diamond-pattern rubber focusing ring on the K-mount version. No established nicknames or community jargon are evidenced in these reviews. Its modest cult appeal stems from being an underrated performer with excellent build quality at a very low price, with one reviewer on a Pentax K-1 calling it 'underrated' and noting it 'performs very well across the board.'

สรุป: The Rikenon 135mm f/2.8 is an underrated, superbly built budget telephoto that delivers strong, consistent sharpness and pleasing bokeh for very little money. Its only real quirk is a slightly cool rendering versus Pentax SMC glass, which is trivially fixed when shooting raw. Ideal for photographers wanting an affordable, well-made manual-focus 135mm for portraits, sports, and landscapes — with the M42 (Auto) version offering broad adaptability across mirrorless systems.

คาแรกเตอร์ของภาพ

โบเก้

ได้รับการประเมินค่อนข้างดีจากผู้รีวิว — ผู้รีวิวคนหนึ่งให้คะแนนโบเก้สูงถึง 9 ขณะที่ค่าเฉลี่ยจากชุมชนอยู่ที่ประมาณ 7.0 และ 4.33/5.

โทนสี

ให้โทนสีค่อนข้างเย็นเล็กน้อยเมื่อเทียบกับเลนส์ Pentax SMC ซึ่งแก้ไขได้ง่ายในไฟล์ RAW

ความคม (เปิดสุด)

ให้คะแนนสูงด้านความคมชัด (ค่าเฉลี่ยจากชุมชน 8.7; ผู้รีวิวคนหนึ่งให้ 9) โดยรวมทำผลงานได้ยอดเยี่ยมในทุกด้าน

รีวิวจากผู้ใช้

ข้อดี
  • Excellent, all-metal build quality — one reviewer rated handling a perfect 10 and called the construction excellent
  • Strong, consistent all-around performance without notable weak points, described as 'underrated'
  • Well-controlled and easy-to-manage aberrations
  • Outstanding value at a very low average price (around $30–$35)
  • Good bokeh and high sharpness for the money
ข้อเสีย
  • Slightly cool color rendering compared to Pentax SMC lenses (though considered a non-issue when shooting raw on digital)
  • Does not reach 'excellent' in any optical category, only in handling and build
เทคนิคการใช้
  • Shoot raw on digital to neutralize the lens's slightly cool color cast, as recommended by a Pentax K-1 user
  • Use it as a portrait, sports, and landscape telephoto — the role Ricoh's 1980 brochure designed it for
  • Leverage the long ~230° focus throw (K-mount version) for precise manual focusing

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Rikenon 135mm f/2.8 was produced by Ricoh, a Japanese manufacturer known for its XR Rikenon line of lenses. The reviews cover two closely related variants: the M42 screw-mount 'Auto Rikenon 135mm f/2.8' (featuring a ring-type A/M aperture switch and a 14mm retractable hood, with 6 aperture blades) and the later Pentax K-mount 'XR Rikenon 135mm f/2.8' (with 8 straight-edged blades, a built-in slide-out metal hood, and no Ricoh pin or A setting). A 1980 Ricoh brochure described the 135mm f/2.8 as 'quite possibly the most popular choice after the standard lens,' positioning it as an ideal, compact, and bright option for portraits, indoor and outdoor sports, landscapes, and other long-distance subjects. The lens is characterized by all-metal construction with a diamond-pattern rubber focusing ring on the K-mount version. No established nicknames or community jargon are evidenced in these reviews. Its modest cult appeal stems from being an underrated performer with excellent build quality at a very low price, with one reviewer on a Pentax K-1 calling it 'underrated' and noting it 'performs very well across the board.'

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