Lens Heritage/Pentax (Takumar)

Pentax (Takumar) Pentax Takumar 35mm f3.5

Pentax K (M42 screwmount for earlier versions) · 35mm · f/3.5

ยังไม่มีภาพสำหรับเลนส์นี้

ปีผลิต

1959

ผลิตที่

Japan

สูตรเลนส์

5 elements in 4 groups

อัปเดต

4 ก.ค. 2569

เรื่องราวของเลนส์

The Takumar 35mm f/3.5 is a wide-angle M42 screwmount prime with a remarkable production history: introduced in 1959 as the Auto-Takumar, its optical design remained fundamentally unchanged across five distinct M42 versions (Auto-Takumar, three Super-Takumar variants, and a Super-Multi-Coated version) and even carried through to a later K-mount version. The Super-Takumar variants can be distinguished by their minimum aperture and distance scale details: the first version stops down to f/22, the second to f/16 with no distance-scale 'window,' and the third adds a 'window' to the distance scale. The Super-Multi-Coated (SMC) version arrived around 1971. No established nicknames or community jargon are evidenced in the reviews for this lens. It has a devoted following thanks to its classic Takumar build quality, compact and light form factor, buttery-smooth focus and aperture rings, and its reputation as a versatile all-rounder that renders beautifully on film with that 'yesteryear quality.'

สรุป: The Takumar 35mm f/3.5 is a compact, beautifully built, and affordable vintage wide-angle that rewards film shooters with characterful, sharp-centered images and classic Takumar color. It's ideal for those who want a durable, pocketable all-rounder with vintage soul — best enjoyed on film, where its character and corner vignetting shine, though it remains a clean and capable performer on digital.

คาแรกเตอร์ของภาพ

โบเก้

การละลายฉากหลัง (out-of-focus rendering) ในรีวิวไม่ได้ระบุรายละเอียดมากนัก; คะแนนโบเก้จากชุมชนอยู่ที่ประมาณ 7.5

โทนสี

โทนสีวินเทจคลาสสิกของเลนส์ Takumar ให้ความอบอุ่นและกลิ่นอายย้อนยุคบนฟิล์ม โดยลักษณะจะเปลี่ยนแปลงไปตามชนิดฟิล์ม

ความคม (เปิดสุด)

คมชัดตรงกลางภาพ; มุมภาพคมชัดเมื่อใช้ระบบดิจิทัล แต่บนฟิล์มอาจปรากฏ vignetting

วิกเน็ตติ้ง

ปรากฏการมืดมุม (vignetting) อย่างชัดเจนบนฟิล์ม ขณะที่บนภาพดิจิทัลมีเพียงเล็กน้อย

รีวิวจากผู้ใช้

ข้อดี
  • Excellent, amazing build quality typical of Takumar lenses, with a smooth, buttery focus and aperture ring
  • Compact, small and lightweight body that is very comfortable to hold and carry
  • Beautiful vintage rendering with 'yesteryear quality' on film, which reviewers feel the lens was truly made for
  • Impressive durability — one reviewer dropped it a meter onto asphalt, denting the front area, yet it still operated normally
  • Versatile all-rounder focal length that lets you keep the subject centered while including more background
ข้อเสีย
  • Pronounced corner vignetting on film that can be very apparent at times
  • Digital shooting tends to strip away some of the lens's built-in vintage character
  • The manual/auto aperture switch is a potential weak point — a problem there could render the aperture ring unusable
  • 35mm is not everyone's preferred focal length, and one reviewer noted it isn't the length they reach for most
เทคนิคการใช้
  • Shoot it on film to get the fullest vintage 'character' and yesteryear color the lens was designed for
  • Embrace corner vignetting on film as part of the aesthetic, or switch to digital for cleaner, sharper corners
  • Pair with the M42-to-Pentax-K adapter (or seek the native K-mount version) for use on modern Pentax bodies
  • Handle the manual/auto aperture switch gently to preserve aperture function

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Takumar 35mm f/3.5 is a wide-angle M42 screwmount prime with a remarkable production history: introduced in 1959 as the Auto-Takumar, its optical design remained fundamentally unchanged across five distinct M42 versions (Auto-Takumar, three Super-Takumar variants, and a Super-Multi-Coated version) and even carried through to a later K-mount version. The Super-Takumar variants can be distinguished by their minimum aperture and distance scale details: the first version stops down to f/22, the second to f/16 with no distance-scale 'window,' and the third adds a 'window' to the distance scale. The Super-Multi-Coated (SMC) version arrived around 1971. No established nicknames or community jargon are evidenced in the reviews for this lens. It has a devoted following thanks to its classic Takumar build quality, compact and light form factor, buttery-smooth focus and aperture rings, and its reputation as a versatile all-rounder that renders beautifully on film with that 'yesteryear quality.'

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