Soligor Soligor 35mm f2.8

Exakta · 35mm · f/2.8

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ผลิตที่

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อัปเดต

4 ก.ค. 2569

เรื่องราวของเลนส์

The Soligor 35mm f/2.8 is a wide-angle prime from the golden era of third-party '35mm SLR' optics, sold under the Soligor brand name that was applied to lenses built by numerous Japanese contract manufacturers rather than a single factory. As documented by collectors, Soligor lenses were made by a rotating cast of makers identified by a coding system (Tokina, Sun, Komine, Kino, Komura, Tamron, Kawanon, and others), so the exact origin of any given 35mm f/2.8 depends on its serial/code prefix. Community discussion strongly ties several versions of this lens to Tamron manufacture: the T-mount variant with a manual aperture preset ring is repeatedly cited on mflenses as an 'old Tamron made' T-mount lens, dated to roughly the 1960s. Other rebadged siblings of the Tokina-built optical design were sold as Bushnell, Vivitar, Super Lentar, Anasuma and more, all sharing a distinctive odd-shaped aperture blade set. No established nickname or jargon (no 'swirl', 'Bokeh King', etc.) exists for this lens in the reviewed sources. Its modest cult following today rests on being a cheap, compact, surprisingly sharp vintage wide that can be adapted easily and picked up for very little money.

สรุป: The Soligor 35mm f/2.8 is a budget-friendly, contrasty and impressively sharp vintage wide-angle for adapters and film shooters who want a compact 35mm without spending much. It rewards stopping down and delivers clean color with minimal fringing, making it a sensible pickup for experimenters — just accept that 'Soligor' spans multiple manufacturers, so your exact copy's character depends on which factory built it.

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ความคม (เปิดสุด)

คมอย่างน่าประทับใจบนกล้องดิจิทัล 16MP; รุ่นที่ Tokina ผลิตซึ่งเกี่ยวข้องกันให้ความคมยอดเยี่ยมเมื่อปิดรูรับแสงเกิน f/4 แต่จะอ่อนเมื่อใช้ที่รูรับแสงกว้างสุด

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รีวิวจากผู้ใช้

ข้อดี
  • Impressive sharpness for such an inexpensive vintage wide, holding up well even on 16MP digital sensors
  • High contrast paired with faithful color — highlights avoid radical color shifts
  • Very low chromatic aberration, with only minor blue fringing appearing in blown-out highlights
  • Cheap and readily available on the used market, making it an easy, low-risk entry into vintage wide primes
ข้อเสีย
  • On the related Tokina-built sibling, sharpness is only 'very good beyond f4', suggesting weaker performance wide open
  • An 'odd aperture blade shape' on some versions, noted as the main drawback of the sibling lens
  • Brand ambiguity — 'Soligor' could be built by any of several makers (Tamron, Tokina, Sun, Komine, etc.), so quality/character varies by version
เทคนิคการใช้
  • Stop down past f4 for best sharpness, especially if yours is the Tokina-built optical family
  • Because contrast is high, watch your exposure on highlights — the lens handles them cleanly but slight blue fringing can appear when blown out
  • Identify your specific version by the Soligor code prefix and aperture blade shape to know which maker built it
  • On T-mount examples, use the correct T-mount-to-Exakta adapter and remember the manual preset aperture workflow

แหล่งอ้างอิง (1)

Web-grounded synthesissecondary

The Soligor 35mm f/2.8 is a wide-angle prime from the golden era of third-party '35mm SLR' optics, sold under the Soligor brand name that was applied to lenses built by numerous Japanese contract manufacturers rather than a single factory. As documented by collectors, Soligor lenses were made by a rotating cast of makers identified by a coding system (Tokina, Sun, Komine, Kino, Komura, Tamron, Kawanon, and others), so the exact origin of any given 35mm f/2.8 depends on its serial/code prefix. Community discussion strongly ties several versions of this lens to Tamron manufacture: the T-mount variant with a manual aperture preset ring is repeatedly cited on mflenses as an 'old Tamron made' T-mount lens, dated to roughly the 1960s. Other rebadged siblings of the Tokina-built optical design were sold as Bushnell, Vivitar, Super Lentar, Anasuma and more, all sharing a distinctive odd-shaped aperture blade set. No established nickname or jargon (no 'swirl', 'Bokeh King', etc.) exists for this lens in the reviewed sources. Its modest cult following today rests on being a cheap, compact, surprisingly sharp vintage wide that can be adapted easily and picked up for very little money.

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