Production
1975 – 1990
Country
Japan
Optical
7 elements in 6 groups (Double Gauss)
Updated
Feb 15, 2026
Nikon 50mm f/1.4 AF-D
Nikon F (AI-S)
Overview
The Nikon 50mm f/1.4 AF-D bridged the manual focus and autofocus eras. It kept the optical quality Nikon was known for while adding the convenience of autofocus via the screw-drive D-coupling. The plastic body was a departure from the all-metal AI-S lenses, but it remained a favorite for its rendering character — slightly softer than clinical modern lenses, with a warmth that film shooters loved. Many photographers kept it as their walkaround fifty even after newer G-series lenses arrived.
Verdict: The transitional fifty. Not as refined as the AI-S, not as sharp as the AF-S G, but it occupies a sweet spot of autofocus convenience with classic Nikon rendering. A great film-era lens that still delivers on digital.
Optical Character
Bokeh
Pleasant and smooth, with the 8-blade aperture creating nice bokeh balls
Color
Classic Canon warmth, with skin tones being flattered and colors appearing natural but inviting
Sharpness wide open
Not sharp corner-to-corner wide open, but improves significantly when stopped down to f/1.8 and peaks at f/4-f/5.6
Flare resistance
Well-controlled with the lens coating, handling backlight gracefully
Contrast
Good contrast even wide open, with a 'modern' look that is not flat or harsh
Vignetting
Moderate vignetting wide open, gone by f/2.8, less than the f/1.2L version
Community Insights
What people love
- Warm, pleasant rendering
- Affordable f/1.4 speed
- Compact size
- Works on all Nikon F-mount bodies
What people dislike
- Plastic build feels cheap
- Noisy screw-drive AF
- Soft corners wide open
- No AF on entry-level Nikon DSLRs
Pro Tips
- Stop down to f/2 for dramatically better sharpness
- The D-coupling gives distance info for 3D Matrix metering
- Excellent portrait lens at f/2-2.8
Sample Photos
Sources (2)
unknown-
https://jerfareza.camera/post/lens-review-nikon-50mm-f14-afd
Lens Heritage 2nd JSONsecondary
The Nikon 50mm f/1.4 AF-D bridged the manual focus and autofocus eras. It kept the optical quality Nikon was known for while adding the convenience of autofocus via the screw-drive D-coupling. The plastic body was a departure from the all-metal AI-S lenses, but it remained a favorite for its rendering character — slightly softer than clinical modern lenses, with a warmth that film shooters loved. Many photographers kept it as their walkaround fifty even after newer G-series lenses arrived.