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Canon Reverse Macro 52mm for Canon EOS

Canon EF

No photo available for this lens

Production

1987

Country

Japan

Optical

0 elements (adapter only, no optical elements)

Updated

Feb 3, 2026

Overview

The Canon Reverse Macro 52mm is not a traditional lens but rather a specialized macro adapter system that Canon produced for their EOS mount system. This device allows photographers to mount a standard 52mm filter-thread lens in reverse orientation onto a Canon EOS body, enabling extreme close-up macro photography at magnifications beyond 1:1. Canon introduced this reverse adapter as part of their macro accessory ecosystem during the late 1980s and early 1990s, recognizing that reversing a standard lens is one of the most cost-effective methods for achieving high magnification ratios. The principle is simple: normal lenses are optimized to project a reduced image of a distant subject onto the film/sensor plane, but when reversed, they project an enlarged image of a very close subject. The 52mm designation refers to the filter thread size compatibility, not the focal length. While not a 'cult' lens in the traditional sense, reverse macro adapters have a devoted following among macro photography enthusiasts, particularly those shooting insects, electronics, and extreme close-up work on a budget. The appeal lies in transforming inexpensive normal lenses into powerful macro tools capable of revealing details invisible to the naked eye.

Verdict: The Canon Reverse Macro 52mm adapter is an essential tool for macro photographers seeking extreme magnification on a budget. It transforms ordinary lenses into powerful close-up instruments capable of revealing invisible worlds. While demanding in technique and requiring additional accessories for optimal results, it remains one of the most cost-effective paths to high-magnification macro photography. Best suited for patient, technically-minded photographers willing to embrace fully manual operation in pursuit of dramatic close-up imagery.

Optical Character

Bokeh

Bokeh is largely irrelevant at macro magnifications as depth of field is measured in fractions of millimeters with abrupt out-of-focus transitions.

Color

Color rendition depends on the reversed lens used; with Canon lenses expect neutral to slightly warm tones.

Sharpness wide open

Center sharpness can be exceptional when using quality reversed lenses stopped down to f/8-f/11; extreme corners suffer from field curvature.

Flare resistance

Highly susceptible to flare as the rear element is exposed to the environment; a lens hood or shade is essential.

Contrast

Contrast is generally high in the focused plane but can suffer from veiling flare due to the exposed rear element.

Vignetting

Moderate to heavy vignetting depending on the reversed lens's rear element size and aperture used.

Community Insights

What people love
  • Extremely affordable entry into high-magnification macro photography compared to dedicated macro lenses
  • Allows magnification ratios of 2:1 to 4:1 or higher depending on the reversed lens focal length
  • Transforms existing lenses into powerful macro tools without additional glass elements degrading quality
  • Simple mechanical construction with no electronics to fail
  • Compact and lightweight addition to a macro photographer's kit
  • Educational tool for understanding optical principles and lens design
What people dislike
  • Loss of all electronic communication between lens and camera body including autofocus and aperture control
  • Aperture must be controlled manually, often requiring a lens with a manual aperture ring or DOF preview button technique
  • Extremely short working distance makes lighting the subject very difficult
  • Rear element of reversed lens is exposed and vulnerable to damage and dust
  • No infinity focus capability; only useful for extreme close-up work
  • Requires additional accessories like extension tubes or bellows for optimal magnification control
  • Steep learning curve for beginners unfamiliar with manual macro technique
Pro Tips
  • Pair with a 50mm f/1.8 lens for approximately 1:1 to 1.5:1 magnification; shorter focal lengths yield higher magnification
  • Use the camera's DOF preview button to stop down the aperture before shooting if the lens lacks a manual aperture ring
  • Stack with extension tubes for variable magnification control and increased working distance
  • Use a focusing rail rather than the lens focus ring for precise focus adjustments
  • Employ focus stacking techniques as depth of field is measured in fractions of a millimeter
  • Shield the exposed rear element with a makeshift hood or your hand to reduce flare
  • Use flash or continuous LED lighting positioned close to the subject for adequate illumination
  • Shoot at f/8 to f/11 for optimal sharpness; avoid smaller apertures due to diffraction

Sources (1)

LLM generated secondaryAI

The Canon Reverse Macro 52mm is not a traditional lens but rather a specialized macro adapter system that Canon produced for their EOS mount system. This device allows photographers to mount a standard 52mm filter-thread lens in reverse orientation onto a Canon EOS body, enabling extreme close-up macro photography at magnifications beyond 1:1. Canon introduced this reverse adapter as part of their macro accessory ecosystem during the late 1980s and early 1990s, recognizing that reversing a standard lens is one of the most cost-effective methods for achieving high magnification ratios. The principle is simple: normal lenses are optimized to project a reduced image of a distant subject onto the film/sensor plane, but when reversed, they project an enlarged image of a very close subject. The 52mm designation refers to the filter thread size compatibility, not the focal length. While not a 'cult' lens in the traditional sense, reverse macro adapters have a devoted following among macro photography enthusiasts, particularly those shooting insects, electronics, and extreme close-up work on a budget. The appeal lies in transforming inexpensive normal lenses into powerful macro tools capable of revealing details invisible to the naked eye.