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Lens Heritage/Carl Zeiss

Carl Zeiss Carl Zeiss Tessar Silver 8 Blade : 50 mm, f2.8

Exakta · 50mm · f/2.8

No photo available for this lens

Production

1950 – 1959

Country

East Germany (DDR)

Optical

Tessar formula - 4 elements in 3 groups, designed by Paul Rudolph in 1902

Updated

Feb 2, 2026

Overview

The Carl Zeiss Tessar 50mm f/2.8 with an 8-blade diaphragm in Exakta mount represents one of the most iconic optical formulas in photographic history, manufactured at the Carl Zeiss Jena works in East Germany during the post-WWII era. The Tessar design itself dates back to 1902, conceived by Paul Rudolph at Zeiss as a simplified evolution of his earlier Protar and Unar designs. The name 'Tessar' derives from the Greek 'tessares' meaning four, referencing its four-element optical construction. This silver-finished variant with 8 aperture blades was produced primarily in the 1950s for the legendary Ihagee Exakta cameras, which were the world's first successful 35mm SLRs. The Exakta-mount Tessars occupy a special place in collecting circles as they represent the golden age of German precision optics before the Zeiss split between East (Jena) and West (Oberkochen) fully solidified. The Tessar earned the legendary nickname 'The Eagle Eye' (Adlerauge) from Zeiss's own marketing, a testament to its renowned sharpness that became the benchmark for an entire generation of photographers. People love this lens for its historical significance, the tactile pleasure of the all-metal silver construction, and its remarkably sharp rendering that still holds up against modern optics when stopped down. The 8-blade diaphragm variant is particularly sought after as it produces more pleasing, rounded bokeh compared to the later 6-blade and 5-blade versions.

Verdict: The Carl Zeiss Tessar 50mm f/2.8 with 8 aperture blades in Exakta mount is a historically significant lens that delivers genuinely excellent optical performance within its design parameters. It is ideal for photographers who appreciate the tactile beauty of classic German optics, seek the legendary Tessar sharpness for documentary or landscape work, and understand that its strengths emerge when stopped down. This is not a lens for those requiring fast apertures or clinical modern rendering, but for the photographer who values character, history, and the organic rendering of a design that has influenced optical engineering for over a century. It serves as both a capable working tool and a tangible connection to the golden age of German precision manufacturing.

Optical Character

Bokeh

The 8-blade diaphragm produces smooth, nearly circular out-of-focus highlights; bokeh is calm and unobtrusive rather than creamy, with slight nervousness in high-contrast edges.

Color

Neutral to slightly warm rendering with faithful tonal reproduction; single-coated variants exhibit subtle amber cast, with particularly accurate blues and greens.

Sharpness wide open

Center sharpness is excellent from f/4 and exceptional from f/5.6-f/11, living up to the 'Eagle Eye' reputation; wide open is good but not outstanding with corner softening.

Flare resistance

Single-coated or uncoated variants are susceptible to veiling flare and contrast loss when shooting into strong light; ghosting manifests as soft, warm-colored artifacts.

Contrast

Moderate global contrast with excellent micro-contrast when stopped down; wide open contrast is reduced, reaching peak between f/5.6 and f/11.

Vignetting

Moderate vignetting wide open at f/2.8 (approximately 1-1.5 stops in corners), diminishing rapidly when stopping down and negligible by f/5.6.

Community Insights

What people love
  • The legendary Tessar sharpness when stopped down to f/5.6-f/8, which remains competitive with modern lenses
  • Beautiful all-metal silver construction with exceptional build quality and tactile satisfaction
  • 8-blade diaphragm produces rounder, more pleasing bokeh than later cost-reduced variants
  • Historical significance as part of the original 35mm SLR ecosystem on the Exakta platform
  • Compact and lightweight design that balances well on mirrorless cameras
  • Natural, three-dimensional rendering with organic color reproduction
  • Low distortion makes it excellent for documentary and architectural detail shots
  • Affordable entry point into genuine Carl Zeiss Jena glass
What people dislike
  • The f/2.8 maximum aperture limits low-light capability and shallow depth-of-field effects
  • Exakta mount requires specific adapters and the lens sits relatively far from modern sensor planes
  • Wide-open performance is soft compared to faster contemporary alternatives
  • Uncoated or single-coated versions struggle significantly with backlit scenes
  • Preset aperture operation (on some versions) can be cumbersome compared to automatic diaphragm lenses
  • Focus throw is relatively short, making precise manual focusing challenging
  • Finding clean examples without haze, fungus, or separation is increasingly difficult
Pro Tips
  • Use a proper lens hood religiously—these single-coated optics need protection from stray light to maintain contrast
  • Stop down to f/5.6 for the optimal balance of sharpness and depth of field; this is where the Tessar truly shines
  • For portraits, shoot wide open at f/2.8 and embrace the gentle softness—it flatters skin while the 8-blade aperture keeps highlights circular
  • When adapting to mirrorless, ensure your adapter is precisely calibrated as the Exakta flange distance requires accurate spacing for infinity focus
  • In backlit situations, use your hand or a flag to shade the front element even with a hood attached
  • For maximum sharpness in landscape work, use f/8-f/11 and focus approximately one-third into the scene to leverage the hyperfocal distance
  • Consider shooting black-and-white to emphasize the lens's excellent tonal rendering and micro-contrast characteristics
  • Clean only with proper lens tissue and avoid excessive pressure on the vintage coatings which are softer than modern multi-coatings

Sources (1)

LLM generated secondaryAI

The Carl Zeiss Tessar 50mm f/2.8 with an 8-blade diaphragm in Exakta mount represents one of the most iconic optical formulas in photographic history, manufactured at the Carl Zeiss Jena works in East Germany during the post-WWII era. The Tessar design itself dates back to 1902, conceived by Paul Rudolph at Zeiss as a simplified evolution of his earlier Protar and Unar designs. The name 'Tessar' derives from the Greek 'tessares' meaning four, referencing its four-element optical construction. This silver-finished variant with 8 aperture blades was produced primarily in the 1950s for the legendary Ihagee Exakta cameras, which were the world's first successful 35mm SLRs. The Exakta-mount Tessars occupy a special place in collecting circles as they represent the golden age of German precision optics before the Zeiss split between East (Jena) and West (Oberkochen) fully solidified. The Tessar earned the legendary nickname 'The Eagle Eye' (Adlerauge) from Zeiss's own marketing, a testament to its renowned sharpness that became the benchmark for an entire generation of photographers. People love this lens for its historical significance, the tactile pleasure of the all-metal silver construction, and its remarkably sharp rendering that still holds up against modern optics when stopped down. The 8-blade diaphragm variant is particularly sought after as it produces more pleasing, rounded bokeh compared to the later 6-blade and 5-blade versions.